Here comes the judge
This article does not have a great relevance to
Malaysian Wildlife but I know a number of Malaysian-based photographers enter
their works in photographic salons under the patronage of PSA or FIAP and
organized in a variety of different countries. I have participated in a number
of these over the years and will give my views on these.
The reason photographers enter images in these
salons is to gain acceptance points for so-called photographic honours that are
awarded by the aforesaid institutions. What are the pro and cons of entering images
in these events.
Pros
1.
You
can improve your photography by seeing what images are accepted and winning
awards. It is a quick learning process.
2.
You
can flaunt your honours to your friends. Seriously the more you stand-out the
more doors will open, including being invited to judge or to give talks.
Cons
1.
It
is quite expensive to enter these salons. The price per entry of 4 images to
one salon ranges from US$7 to a greedy US$25. To get some of the higher honours
it will cost you thousands of dollars.
You have to have talent but the question to answer is: are you actually buying
your honours?
2.
Some
of the judging will leave you bewildered and perplexed and possibly dispirited
(more about that later)
3.
A
number of anomalies exist in the increasing verbose rules concerning nature photography delivered by the two
major administration bodies. For instance, you are allowed to shoot animals in
zoos, birds glued to branches, butterflies removed from a fridge but shift one
pixel and lightening will strike you down.
4.
In
recent years a number of salons have been organized by profit-making companies…and
those in some countries have been boosted by a change in honours rules that
require a number of different countries to be included.
5.
Allowing
Zoo and Game farm shooting. This was previously not allowed. It is rather perverse
to see images of Snow Leopards where the photographer has never been to Tibet
to record them in their native habitat. Likewise it is almost impossible to get
a clear shot of a wild wolf…but easy at game farms.
Snow Leopards are found naturally in hard to reach places but easy to photograph in game farms
While #1 Pro is very valid you can see that
there are more negatives on the balance sheet.
Overview
I have been, or am a member of PSA, APS, and
PSNZ the respective Australian.
American and New Zealand photographic societies. These institutions founded in
the film days are all bleeding members profusely. Young folks are just not interested
and social media is essentially killing off these bodies. They are run by narrow-minded grouchy old folks. I know a number of good young
photographers who have 200-500 ‘friends’ on Facebook and get their satisfaction
from friends telling them how stellar their images are. This is fine….whatever
rings your bell. I might add you are not comparing yourself with others and
will likely not improve your images if you continue down this path.
There are of course higher niches for your
nature images. There are several major prestigious competitions each year run
by ANZANG (for images from New Zealand, New Guinea and Australia) and the
British-based wildlife photographer of the year, which used to be run by BBC.
Hang
the judge
We all like to grizzle about judge’s decision
either in legal courts, when John McEnroe played tennis or during ice-skating
events. I might add at this point in nature photography in the long run the
best images will pull through but some odd things happen in the meantime.
The main problem with Nature photography judges
is that they are usually good photographers themselves but have little
knowledge about the natural world. It is like asking a skilled cabinet-maker to
do brain surgery because he is good with his hands.
The other strange thing is that titles are not
read out at the time of judging. For instance images of Bowerbirds displaying
hardly ever go down well with salon judges…….why?.......simply because they
have no idea what is happening. The same goes for displaying Victoria's Riflebirds. Also if you took a technically good shot of the
rarest bird in the world……..if it was black or brown….it would be rejected.
Why? Because the judge has no idea that this is a rare bird and you are not
allowed to tell him or her.
Below are images of a Greater, Satin and Golden Bowerbird decorating their respective bowers ....complex behaviour not appreciated by judges.
Above Is a displaying male Victoria's Riflebird which difficult to get but is not appreciated by most judges.
I have judged in some large salons and images
come at you very fast and you have about 5 seconds to score them on some
keyboard in a darkened room. It seems at times like an aerial dog (or eagle) fight where challenges come at you from all sides.
There are usually three judges and the pass mark for the entered images is fixed so an arbitrary percentage (usually around 30%) scores in the acceptance zone.
What particularly annoys me is when an image
with an excellent record gets inexplicably rejected. It means that one, two or
three judges think totally different from the last 100 or so judges. While I
believe this is likely to happen with various art forms it really should not
happen with a nature image………..in my opinion. Of course, individual judges may
have some bias but this should be equalised by the other 2 judges.
This image was entered in 52 Salons with 4 honours and 5 medals. It was deemed unacceptable in one salon
Rainbow Bee-eaters; In one 3 salon circuit this image scored 22 and was accepted and 14 and was rejected....a huge difference of 8 points. The acceptance score was 18 in each case.
Expert
opinion needed
There are unfortunately a number of ploys used
by nature photographers to get ‘the shot’ that contravenes the laws of nature
and sometimes the laws of the land. A good judge will spot these a mile off.
1. Butterfly
staging. Newly emerged butterflies will remain still for hours while they
prepare themselves for a brief aerial life. Several well-known nature
photographers will take advantage of this by purchasing pupae and doing a
studio set-up when the butterfly emerges. A good clue on butterfly shots is the
disposition of the proboscis……if a butterfly lands on a flower to feed the
proboscis will be unfurled. Actually, most butterflies feed from flowers while
still flying.
Malay Lacewing....where is the proboscis?
2.
Bird
gluing. A reprehensible act where chicks being fed in the nest by parents are
arranged in a line along an adjacent branch with the aid of adhesives.
3.
Nest
rearranging. There is documentation of a whole branch being sawn off and put in
an adjacent location where photographers can recline in chairs and get a clear
feeding shot. A slightly lesser crime is cutting branches around a nest for a
clearer shot. Of course this exposes the nest to predators.
4.
Pumping
and tethering. There have been recent cases recorded in Singapore of tethering chicks
from a ground nest for better images and putting inflatable material in a fish
so it will float for shots of a raptor attack. Both perpetrators were caught
and fined.
5. Literally shooting
the subject. I was judging at one International event and a contending image
for an award was an aggressive looking, sand-dwelling lizard. One expert
informed the panel that more than likely an air gun was used to startle the
creature before the shot was fired.
Locational
bias
Smart exhibitors should have done their homework.
In Britain photography at nesting sites is banned or frowned upon, therefore nesting
shots will not be very welcome in British Salons. Also, despite their ancestors
writing the Kama Sutra Indian judges are not very welcoming of mating shots.
Nesting shots; A no-no in Britain
Mating shots; Banned in Bangalore
There is also a general style difference between
British Nature photographers and their US counterparts. In Britain, they tend
to go for more environmental shots showing the bird or animal in their habitat
where US photographers tend to isolate the subject against a milky smooth
background. I have also observed recently that Chinese judges tend to favour
images that look like a Chinese painting.
Environmental images
Isolated subjects with a smooth, blurred background
Ignorance
Shots of Yellow-eyed Penguins rarely get accepted. They nest under coastal shrubs in Southern New Zealand. Come on...penguins nest on ice in the Antarctic with blue-hued ice in the background. Actually only 6 of the 17-19 major species of penguins nest on the Antarctic Ice and snow.
Yellow-eyed Penguins nest under bushes while only 6 of the 17-19 species nest on the Antarctic ice and snow.
Very interesting and well written post. I sometimes wish digital photography never came about as many of those types of photographers you mentioned, would have never had the patience to work with film, but then the rest of us would not have use of a fantastic medium.
ReplyDeleteIt's a reason I don't enter wildlife photography competitions and tend to shun other photographers as it seems to be all be about getting the picture, a trophy, regardless of thought to the animal or even the environment. They are like the paparazzi photographers of the nature world.
I was quite horrified by your mentioning 'Bird Gluing' and had to read that part over a few times to make sure I understood it correct and still not sure I do. A real alive bird or birds are glued to a branch?
I wonder how long the acts of those who do this kind of thing will have repercussions on the rest of and our enjoyment of seeing, being with and photographing nature.